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Calliope Njo – Snow Angel

Welcome to Write the Story! Each month Writers Unite! will offer a writing prompt for writers to create a story from and share with everyone. WU! wants to help our members and followers to generate more traffic to their platforms. Please check out the authors’ blogs, websites, Facebook pages and show them support. We would love to hear your thoughts about the stories and appreciate your support!

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Please note: the images we will use as prompts are free-use images and do not require attribution.)

Snow Angel


By Calliope Njo


I noticed her from a distance. I knew it would take a few seconds to reach her. I swooshed down the hill, came to a stop and looked around where she paused. A snow angel would be the sole remnants under that towering tree.


My old instructor would tell me to get my head out of the clouds and onto the slopes where it belonged. Funny thing though, my mind has always been on the slopes because that’s where she showed herself ever since that first day.


I climbed up all the way to the cabin I had been staying at. Cozy and rustic little place but it suited me. What I needed. Maybe if I asked that old man he could tell me more.


I couldn’t sleep and spent the night staring up at the ceiling. Her blonde hair swirled in the wind. Her icy blue eyes crinkled at the edges. Ah hell, nothing got accomplished lying down.


I grabbed a lantern by the door and held it up when I stepped outside. I didn’t expect to see anything, but a strange blue light floated in my direction. I waited there and somewhat hoped that light would disappear.


The blue light transformed into the mysterious woman. She stayed at a distance and smiled in my direction. Not sure what that slight tilt of her head meant but I waved her in. She backed up and with a gust of wind, disappeared.


I ran out to try to find any hint but no luck. I walked back to the cabin and closed the door behind me. I leaned against it and feared I lost my mind.

I settled down on my cot and didn’t expect to fall asleep but I must have. The next thing I knew the sun shone through the window.


Phoenix Constatine, the gay skier. Phoenix Constatine, a new patient in the mental ward. I laughed. It didn’t stop. I needed to talk to that old man.

A note on his door read that he had to go to the village to get more supplies and would return in two days. So much for that plan, because I won’t be here.


I spent the day skiing the mountain and no luck. She blew away someplace that couldn’t be found. Maybe I dreamed up the whole thing because of stress and exhaustion.


I had to return home to Colorado. As much as I wanted to stay I couldn’t. Maybe next time I would be able to find that magical spirit. I packed my stuff and put it by the door.


That night something whispered my name. I opened the door and she stood right in front of me. She reached out her hand. Curiosity got the best of me and I took it. So frosty, not warm like I expected.


She took me to a high mountain, a place above the clouds. Too beautiful to not look or wonder what lies below. I hated the thought, but I had to leave to get back home.

She shook her head. “You are home. Where you belong.”

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Please visit Calliopie’s blogspot and follow her! https://januaryedition.blogspot.com/2019/01/extra-extra-read-all-about-it.html

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Write the Story: January 2019 Collection

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Words of Hunter S. Thompson

 

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Hunter S. Thompson was born in Louisville, Kentucky, in 1937. He showed a knack for writing at a young age, and after high school began his career in journalism while serving in the United States Air Force. Following his military service, Thompson traveled the country to cover a wide array of topics for numerous magazines and developed an immersive, highly personal style of reporting that would become known as “Gonzo journalism.” He would employ the style in the 1972 book for which he is best known, Fear and Loathing in Las Vegas, which was an instant and lasting success. For the remainder of his life, Thompson’s hard-driving lifestyle—which included the steady use of illicit drugs and an ongoing love affair with firearms—and his relentlessly antiauthoritarian work made him a perpetual counterculture icon. However, his fondness for substances also contributed to several bouts of poor health, and in 2005 Thompson committed suicide at the age of 67.

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https://www.biography.com/people/hunter-s-thompson-9506260

A Look Back….

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Today marks the two-year anniversary of the Writers Unite! blog, and we want to share a bit about how the blog came to be and why.

Writers Unite! was created as a haven for all writers to share their writing for critique without fear of ridicule and where novice and experienced writers could learn from each other. We were fortunate to enjoy very steady growth and to gain exposure by appearing on Paul Reeves’s radio program, Dr. Paul’s Family Talk. As our outreach broadened, we began to grow at a staggering rate.

In the late summer of 2016, the admins decided that we needed to take the Facebook group, Writers Unite! to the internet to increase the exposure of the group and expand the content we could provide. On October 12, 2016, Writers Unite!’s blog on WordPress launched.

Building a blog is a slow process, but we have labored to bring a quality blog to our members. Included in the content available are series about writing your first novel, self-editing, marketing, as well as guest articles and podcasts of interviews from Dr. Paul’s Family Talk of authors (many who are members of WU!) and the group administrators. You will also find writing tips and writing advice from famous authors.

We are a global community and this is your blog. The admins want it to reflect the information you want to see. Please let us know what content you would like to see posted.

Thank you for the support all of our members have shown for the Facebook site and the blog. We couldn’t do this without you!  Happy Anniversary to YOUR blog!

The Admins of Writers Unite.

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Follow the WU! blog or enroll using your email address.

Writers Unite! Tips on Writing: How to Open Your Novel

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Writers Unite! Tips on Writing: Story Foundation

Mystery Genre Workshop Part Four: Tips for Writing Mysteries

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The first three parts of the Mystery Genre Workshop covered plot, characters, and the importance of creating the story’s location. Let’s review a few tips you should keep in mind as you write.

Know Your Ending!  

This will help you focus as you write the story and not lose sight of your concept. You may take a detour or two along the way, but write to your ending.

Hook Your Reader!

Make that first line or paragraph attention-grabbing, intriguing. Open with an action scene, introducing either your sleuth or your villain.

Make Your Reader Empathetic!

The reader must identify and care about your hero and want the same goals the character does.

Plot Your Plan!

Carefully plan your story (outline or pantser—on paper or mentally). Knowing where to place strategic points and keep the action going is vital.

Pace, Pace, Pace!

Take your reader on an action-filled adventure, increasing the tension as the story builds to its final climax. You must also provide scenes with little action to provide a place for your reader to breathe. A great tool to build tension, pull it away, then create more tension increasingly until the story’s final climax.

 Perfect Characters!

Humans are not perfect in real life, do not create a perfect imaginary human. Give your character flaws, both physical and psychological. Keep them real, give them family issues, scars, phobias. We all have them!

 Plant Clues and Water Often!

As you plot your story, always remember you are engaging your reader in a puzzle to discover who committed the crime. Provide clues early, be subtle but truthful about the real clues, be matter-of-fact about certain things. Misdirect your readers’ attention with red herrings—false clues—but make certain they are plausible.

 Location, Location, Location!

Your setting, the world you build for your story should serve as another character to drive your plot. Whether a gritty, noir environment or a quaint, seaside village, use the location’s characteristics to frame your narrative.

Protagonist, Antagonist, and Minions!

The closer a character is to the realization of the Protagonist’s goal, the more developed they should be. Give them dialogue when appropriate, something that makes them unique—a hobby, an addiction, plays a sport on the weekend.

 Stay on Target!

Your goal is to take your Protagonist from desiring to achieving a goal. Keep the narrative focused on the target, and that is realizing their goal. Any extraneous scenes that creep in your writing need to be thrown out. The mystery and the clues to solve it are all you should be concerned about it.

 Have Fun!

As a mystery fan, diving into a “who done it” and trying to decipher the clues and guess the culprit is enjoyable. As a mystery writer, my pleasure is from writing those clues and hoping to stay ahead of the reader and shock them at the end.  How much fun is that? Enjoy the process and your reader will as well!

 (Also, don’t use exclamation points as I did here, no more than one per book.  They are fun though!)

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For Writers Who Love Worksheets: 

Some writers love worksheets for plotting, character development, and world building. I never do any of this, but in case you do, here are some representative worksheets for your use.

 

Plotting Your Story:

https://evernote.com/blog/12-creative-writing-templates/

 

Character Development:

https://thinkwritten.com/character-development-questions/

 

World Building:

https://nybookeditors.com/wp-content/uploads/2017/07/World-Building-Worksheet.pdf

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Mystery Genre Workshop Part Three: Scene of the Crime

 

The Importance of location

When fingertips touch the keyboard to write a story, a writer is beginning the process of building a new world. How mundane, ordinary, complex or exotic doesn’t matter, writers are world builders.

While the term usually conjures up alien civilizations or fantasy castles, the truth is when the screenwriters imagined Cabot Cove of Murder She Wrote or the author of Midsomer Murders borrowed the countryside of England near Oxford to use as the setting for her novel, they were building a world.

Designing a new world is complex. When writing a science fiction or fantasy story, you start with a blank slate, creating everything. If you choose a ‘ready-made’ location, much is already set in place, you only need to tweak locales to suit your plot needs.

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There are three types of world building. Let’s look at what is involved with each.

 The Created World

This the world most think about when hearing the term “world building.” The science fiction and fantasy genres where a writer’s imagination selects everything that exists.

  • Design the physical world: terrain (mountainous, desert, forest, coastal), atmosphere, location in the universe.
  • Create races of beings (keeping natural conditions in mind).
  • Culture including art, music, writing.
  • Government and military systems.
  • Infrastructure and city planning.
  • Education.
  • Agriculture.
  • Industry.
  • And everything else!

The Real World

This world is the one we know. Most stories are set in villages, towns or cities that we are familiar with or have a history to draw from. Historical fiction novels are set in a known past. All other genres, other than those of the created world, fall here.

Fictional locations can be written but do not deviate from what is known. A small town can be created for a cozy mystery novel, but it will have the same features as any small town.  The government, military, and the culture will be as we know it.

The Alternate Reality World

This is a world that we think we know, but it is not the same. The Alternate history genre tweaks the actual outcomes of significant events such as the ending of World War II and redirects history. The landscape and peoples may remain, but the government, military, culture, infrastructure, and perhaps agriculture may have been altered.

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The Mystery World

Mystery stories typically fall into the realm of the “Real World” although mysteries can be set in any imaginary world. There are some considerations to make as you develop your mystery world.

You must set a world conducive to a murder mystery. That is one where you do not reveal too much about the world where your detective or your killer resides. You must leave unanswered questions about the world.

Clues, both real and red herrings, must be set in the framework but again against a backdrop of mystery. If the murder happens in a room where there is a secret door, until the detective knows there is a secret door, the reader should not either. If the story is being told from the POV of the killer, then the door may be revealed to the reader but not the detective. Again, you have created your world, but you must keep it secret.

Someone must solve the crime. If you are writing crime fiction, a law enforcement officer will be your lead investigator. The agency the investigator works for, a local police department, the FBI or any other agency must be created.

Details should include:

  • Department structure: Who is in charge? What are your investigator’s rank and responsibilities?
  • Ancillary services: Is there a forensics department? A medical examiner? A video tech?

In a cozy fiction, the investigator is a civilian. It is essential to establish the plausibility that they can solve a crime.

Details should include:

  • Who is this amateur sleuth?
  • How did they become involved in the murder?
  • Who do they know? (family and friends)
  • What are the skills they possess that might assist them in solving a crime?
  • Do they know someone close to the official investigation that might have information to share? (police officer, medical examiner, prosecutor, reporter, etc.)

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Wait. Less World Building is Better?

There is a fallacy in the concept of world building. While crucial to the development of your story, it is the story that drives the world building, not the opposite.

Many authors, especially those who write science fiction and fantasy, revel in creating every minutia of the world they are writing about. That may be a satisfying exercise for the author but an unnecessary one. Despite the plethora of world building worksheets available, the process is considerably more straightforward than it appears.

The only world building you need is dictated by the story you write. Let’s assume that you are writing a science fiction story set on a spaceship. The most immediate world you should describe is the world your characters exist in, the spaceship. Description, origin, propulsion system, crew, food stores, destination, and reason for the mission are all crucial aspects of the world that need to be determined. A planet they stop on for only a short time requires less description, a planet where most of the action takes place needs more explanation.

Do not write your story around your world, but create the world around your story.

Guest Blog: Write What You Know — David Reiss

Once upon a time–when dinosaurs roamed the earth, and I was still in high school–I had a wonderful English teacher who treated his students as peers and insisted that we all call him by his first name; his enthusiasm for literature and drama was outright contagious. He convinced me to read outside my preferred genres, and he pushed me to write, write and write some more. A tremendously harsh critic, he somehow managed to be supportive even while delivering the most ruthless dissections of my prose. I was a bitter and catastrophically depressed teenager who approached each school day with apprehensive dread, but for his classes, I held a genuine anticipation.

Until one lecture when he insisted that creating compelling fiction required that we ‘write what we know,’ and all my enthusiasm burned away into ash.

At the time, I thought that he meant that our prose should be limited to our experiences and our areas of expertise. I couldn’t imagine any subject less interesting or worthy of consideration. How could the experiences of a morose, sheltered and awkward kid be relevant to the life of an inhuman denizen of a fantasy dungeon? I wanted to write about dragons and laser pistols, camaraderie and adventure!

I occasionally wish for a time machine so that I could leap across the years and smack my younger self on the back of the head. Because the truth is every experience is something you can learn from. I may not have ever soared above a battlefield then folded my wings to drop into combat like the gryphon protagonist from one of my short stories…but I knew the feel of wind against my face and could add that sensation to describe my gryphon’s flight. I knew what it looked like when a hawk stooped towards its prey. I knew what anger felt like, and fear, and hope, and sadness.

To ‘write what you know’ doesn’t mean to write about yourself. It means to use your personal experiences to lend the power of authenticity to your prose.

There is a secondary meaning as well, and it is one that I try to take to heart more as an adult author: Research, knowledge and the acquisition of new sensory memories can make your writing more compelling. It’s tempting to feel content that having swung a baseball bat is sufficient experience to write a scene in which an armored knight wields a mace, and it is true that being able to evoke the memory of how your grip strained or how your shoulder shook at the moment of impact is important. But spending time researching how maces were used historically can help create a more powerful scene. Look up how much real maces weighed. Research the kinds of wounds that a mace caused. If you can, make a mace and create new sensory memories by beating up an old tire. Interview experts and NEVER rely on anything you saw in a Hollywood blockbuster movie because Hollywood is a lying liar who lies.

Try new things! Get your hands dirty in the garden, take a lesson in welding, bungee jump, hang-glide. Eat exotic foods and learn to mix cocktails. Live.

So, my advice to an aspiring author is this: Write what you know because you know much more than you think. And never, ever stop learning because who knows what you’re going to want to write about tomorrow?

About the Author:

While growing up, David Reiss was that weird kid with his nose in a book and his head in the clouds. He was the table-top role-playing game geek, the comic-book nerd, the story-teller, and dreamer.
Fortunately, he hasn’t changed much.

David is a software engineer by trade and a long-time sci-fi and fantasy devotee by passion, and he lives in Silicon Valley with his partner of twenty-six years. Until recently, he also shared his life with a disturbingly spoiled cat named Freya.

(Farewell, little huntress. You were loved. You are missed.)

David’s first book, Fid’s Crusade, has just recently been published; this was his first novel-length project, but it certainly won’t be his last—he’s having far too much fun!

Mr. Price’s Dinner Table – Deborah Ratliff

Location, location, location.

How many time have you heard that a business’s location is essential to its success? It is. The same is true for the site of your story. Choosing a small town, an urban environment, or an alien world instantly sets the mood, the culture, and the anticipation for your story. Choose wisely, and the location becomes another character in your writing, adding depth and complexity to your plot.

Why we choose a location varies from our own experiences to the genres that we write.  I set my stories in the world that I know best, the Southern United States and often in New Orleans. To explain how I decide, I need to take you on a journey to my childhood.

I am a Southerner and quite proud of my roots. Growing up in South Carolina I was fortunate to have parents who saw no color differences in their fellow man. People from all walks of life and cultures visited our home.

Memories of my childhood remain clear today. The mimosa tree that I played under in our yard. Houses where all doorways, windows, and chimneys were trimmed in blue to ward off evil spirits. The dime bags of boiled peanuts sold on the street. The ‘air-conditioned tree’ at the Herlong Orchard peach stand where the temperature was twenty degrees cooler in the shade and the water stored in a metal canteen was ice cold. While there was a horrible undercurrent of division and anger in this place I love so much, there was also a goodness of soul. Family, friends, food, and good times existed as well.

My father worked at the Savannah River Plant in Aiken, South Carolina where at the time hydrogen bombs were being made. With workers from all over the world employed there, as a child I met a variety of people. One of my father’s best friends was a bear of a man, a Navaho by the name of Jess Brown. His wife Athea, a small, plump woman who might have been a better cook than my grandmothers, was like an aunt to me. I am about one-sixteenth Cherokee and Jess, and Athea gave me a sense of what being Native American meant. Proud, hard-working, gentle people.

Another friend of my parents impacted my life more than I realized. Mr. Price. Honestly, I am not sure what his first name was, my parents never called him anything but Mr. Price. He was older, a slight man, regal in bearing, with snow-white hair and a thick Southern accent that held a lilt of his mother’s heritage. She was a Cajun from southwest Louisiana, and it was his reminisces about his mother’s upbringing that fueled my love of the Cajun culture.

Mr. Price was called a ‘bachelor.’ In the South in those days, an unmarried man of means, a patron of the arts was referred to in that manner. Anyone who has read Midnight in the Garden of Good and Evil by John Berendt will recognize who Mr. Price was. Polite society did not mention the word homosexual as that wouldn’t be gracious and respectful.

We often had Sunday dinner at Mr. Price’s home, a large two-story house near downtown Aiken. I remember the opulent crimson flocked wallpaper in the parlor, the glittering crystal chandelier in the dining room, and fresh flowers everywhere. While I loved to have dinner in the dining room,  if the weather cooperated, we would often eat on the back terrace surrounded by a formal garden.

Dinner? Not what you might expect for a South Carolina gentleman. While on occasion we might have shrimp and grits or barbecued chicken, we often feasted on shrimp etouffee or jambalaya, dishes Mr. Price’s mother made when he was small. At age ten, I had my first taste of that Cajun chicory coffee at his dinner table.

I was mesmerized as he would tell us of his parent’s home in Lake Charles, and his grandparents’ house in the country nearby. He would spin tales of fun in the bayou, and I was hooked for life. While I loved South Carolina, my heart drifted toward Cajun Louisiana. His memories stirred emotions in me that I have kept to this day.

When I began to write fiction again a few years ago, I knew I would set my stories in the South. While I have never sugar-coated the problems the area has, which are no different from any other part of the United States, there is an ambiance and tone about the South, the southern coast especially, that is alluring. When I began to write it was Louisiana that I set my first novel in, New Orleans specifically.

Having visited New Orleans a few times as an adult, I discovered that my writing muse was a resident of the French Quarter. New Orleans, the bayou, the jazz, the beignets, the sultry weather, all characters in themselves and ones I find creeping into my writing.

On a recent Sunday, I watched one of Anthony Bourdain’s final “Parts Unknown” episodes. We lost a unique individual with Bourdain’s death. A talented essayist on life and culture and how food is intrinsic to our existence, not only for sustenance but for our soul. This show centered on Cajun Mardi Gras as celebrated in Southwest Louisiana.

We know of Mardi Gras as a glitzy party of drunken revelry, resplendent with cheap shiny beads, gaudy costumes, and over the top parades, as well as – well – fun. Bourdain showed us a Mardi Gras few outsiders know,  celebrated away from the French Quarter. Equally as gaudy and drunken but steeped in tradition and meaning.

Despite the commercial decadence of the more popular party in the French Quarter or the more traditional decadence of Cajun Mardi Gras, the spirit of the Cajun people, their passion for life, food, and even voodoo fuel my imagination and my soul.

I realized how ingrained the Cajun world was to my writing when I recently started writing a short story for a romance anthology. I struggled with setting and story until my muse left the jazz bar in the Quarter and reminded me, I was a mystery writer. I knew where I belonged. My story is now a romance between a TV reporter and a detective brought together over a dead body.  The location you ask? The French Quarter.

There is something about the tenor and vibe New Orleans that touches me.  A city steeped in tradition and like Anthony Bourdain, unique.

After writing my first novel, Crescent City Lies, a mystery set in New Orleans, I realize that the Cajun culture remains embedded within me, sparked so many years ago at Mr. Price’s dinner table.

Location, location, location.

(photo from https://www.visitaikensc.com/groups)

An Anniversary

 
As you know, over the last three years Writers Unite! has grown into one of the largest closed writing groups on Facebook. What many of you may not know since you haven’t been with us the entire three years is that we had a pivotal moment that spurred our growth.
 
When now admin Paul Reeves joined Writers Unite!, he reached out to us about appearing on his radio program out of Detroit. I was chosen to be the voice of WU! for the interview, and on July 11, 2016, I had my first interview on Dr. Paul’s Family Talk.
 
Membership was at 6,600 that day. We began to see an uptick in member requests immediately and had added a thousand or more new members by the time I appeared the second time on the show in August 2016. Again, we saw the numbers begin to rise. Shortly after that, Facebook started to advertise us aggressively. As a fast-growing group, their algorithms picked up the increases and began to market us.
 
Our growth is indicative of what marketing can do. We did nothing different to promote WU! at that time other than appearing on Paul’s show. While not all our growth is attributed to his show directly, some has been by word of mouth, our appearance there was the catalyst that allowed us to grow.
 
Learn a lesson from this. Marketing matters. Do not shy away from doing interviews, go on the radio, do print interviews, do a book signing anywhere you can, send those emails blasts. It can work if you keep trying.
 
Over the last two years, Paul, through his radio program and his desire to contribute to Writers Unite! as an admin has helped us sustain this growth by providing a platform for authors to tell their story. WU! continues to appear on the show to offer writing information and many of the authors Paul has interviewed have become active members of the group.
 
We are grateful to Paul for his contributions to the group. Together, the WU! admin team is striving to offer media exposure, through Dr. Paul’s Family Talk and the anthology series for our members.
 
Without question, thanks above all to the members for being with us. You are what makes WU! successful!
 
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Below is a link to the first interview, WU! did on Dr. Paul’s Family Talk. Then on terrestrial radio in Detroit. The show is now broadcast live on Impact Radio USA. http://www.impactradiousa.com/
 
Writers Unite! on Dr. Paul’s Family Talk July 11, 2016