“Readers will stay with an author, no matter what the variations in style and genre, as long as they get that sense of story, of character, of empathetic involvement.” — Dean Koontz
From the first children’s book, comic book, or novel that we choose, we begin to develop our sense of what type of story we are drawn to read. For me, I was intrigued by mystery and science fiction at a very early age. In my teenage years, romance entered the mix, and I soon found that my favorite stories to read were combinations of these separate genres.
In Part One of the Writing Your First Novel, we discussed the importance of reading and how it impacts your writing skills. One of the strongest influences of reading is an enhancement of vocabulary. Many of us tend to use the same words in our everyday speech. Reading will expand your selection of words and enrich your writing. Reading also provides an awareness of sentence and story structure and correct grammar. Reading current work allows you to discover the latest trends in the genre can assist in helping you decide the focus of your novel. Choosing popular works within a specific genre allows you to explore the latest trends and can help you decide the focus of your novel.
Merriam-Webster defines genre as “a category of artistic, musical, or literary composition characterized by a particular style, form, or content.” Fictional genre is further categorized into specific topics such as romance, mystery, science fiction, historical, contemporary or young adult among others.
“I had always wanted to be a writer who confused genre boundaries and who was read in multiple contexts.” — Jonathan Lethem
The traditional brick and mortar publishing houses have long categorized novels into specific genre descriptions. Even though there are numerous sub-genres under those headings, a cozy mystery or detective novel will still be displayed under the ‘Mystery’ banner in a bookstore or library. Based on statistics and marketing plans, it proved easier to control the advertising dollar and consumer focus if novels fit a certain niche. Shelving of books in a retail store is coveted and easier to acquire shelf space for a book in the single mystery genre rather than one in the mystery/science fiction/romance genre. What area of the store do you place a book of mixed genre? It’s a publisher’s marketing nightmare.
That issue has changed considerably with the advent of on-line publishing and search hashtags which have allowed authors to market their works in multiple genres. When genre lines are blurred, the only limitation a writer has is their imagination. Shelf space is no longer a consideration when as Lethem says, “boundaries are confused.”
The question you should ask yourself is what genre do you feel comfortable writing. I have seen numerous writing ‘experts’ say you should write what you know. The problem for me is that I love science fiction and murder mysteries. But, I have never been in space, and I haven’t committed murder, so I don’t have those experiences to draw from when writing. Author John Grisham is a lawyer and his stories center on his experiences practicing law. Not all of us are afforded the luxury of writing with such skill sets. What do we do?
We read, read, and read more novels in the genres of our choice and we do the necessary research to provide plausible details to your writing. There are certain patterns and expectations that exist within genres, and your reader will feel cheated if those characteristics of the genre are not present. A noir murder mystery novel needs to have a dark, sparse, gritty quality that you will not find in a cozy murder mystery.
The key, I believe, in successfully writing a multi-genre novel is balance. One of the genres chosen must be the primary focus of the story, while the other one, two, or more genres should support. For instance, I wrote a science-fiction/murder mystery/romance novel where the overall science fiction theme is the focus, the murder mystery is the vessel to deliver the story, and the romance builds tension as the two main protagonists, who are emotionally connected, face danger. Throughout the novel, any of these components may take the lead in scenes, but the story balance remains the same.
I do hold to the theory that any genre can mesh with any other, and the combinations may open new vistas for your readers. The fact is these genres are a measure of what can and does occur in our lives. While there may not be dragons in our real world, we have fears that manifest themselves as such and can be symbols within a story.
One thing to remember, throughout this process of learning to write you should also be writing. Details can be added or corrected in the editing process. The important task is to write and to write until the story is complete.
Please listen to my interview about this article with host Paul Reeves on Dr. Paul’s Family Talk, now on Impact Radio USA.
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