Why Do We Love Mysteries?
Years ago, a new bookstore opened in the city where I was living. An avid mystery fan, I hurried to the store on opening day. The smell of new books mixed with incense filled the air, the wooden bookshelves were polished, and the blood-red carpet pristine. Except in one section where yellow tape outlined the shape of a body lying on the floor. I didn’t have to look for the section sign, I knew exactly where I was. I had arrived in the world of mystery novels.
What is the mystique about mysteries that draws us to them? There are several reasons. First, the concepts of good and evil and justice are recurring themes in mysteries. The most satisfying stories for many readers are the ones where good overcomes evil and justice is served.
We are given a real hero to cheer for, whether that hero is a police detective, a government agent, or a florist. The professional or amateur sleuth personifies the good we treasure and brings the evil villain to justice.
There is another draw that brings us into the world of mystery. The puzzle. As a story unfolds, the writer provides clues, misdirection, foreshadowing, all of which allow the reader to deduce the culprit along with the sleuth.
From Christie, Doyle, Chandler, Cornwell, Connelly, McDonald, Evanovich, and Grimes to the unknown authors of tomorrow, they have given us hours of enjoyment as we attempted to figure out—Who done it?
Let’s look at how to write a mystery story. I am a pantser, I do not outline my story in advance, but I know vital points about my story before I type the first word. I know who my protagonist and antagonist are and whether my protagonist is a law enforcement official or a civilian. I know the crime. Most importantly, I know the ending, which provides a target to focus on as I write. You may take a detour or two along the way, but you must arrive at your ending. Once you know these items, you can create your plot.
Clues to Writing a Mystery
Plot and Structure
The plot in a mystery is centered around crime, commonly murder but not always. (If you choose a murder mystery, make the first murder early in the story. Murder mystery fans get anxious for a victim!) The novel’s central conflict is between someone trying to solve the crime versus the criminal’s efforts to cover his or her tracks. At the same time, a mystery is often set up as a kind of puzzle or game for readers, who analyze clues and try to solve the mystery themselves. (Isn’t that the idea?)
To Develop Your Plot:
- Know your ending. It’s difficult to write a mystery if you don’t know who the killer is and why they committed the crime.
- Know your beginning. How you introduce your plot is as important as the ending.
- Allow your reader the confidence that they can solve the mystery whether they do or not. It is essential for your detective to work through the process, follow the clues, and solve the crime logically, as the reader might do. Don’t spring a solution onto the reader at the last moment, that’s cheating, and it will ruin your story and your credibility.
- As to clues, foreshadowing is your friend. You don’t want clues to be obvious, but they must show importance later. Leave clues, your reader needs to be engaged in the mystery. Be subtle in those clues you do give, and no one said you can’t throw a few red herrings in to get them off the trail. Surprise your reader with plot twists, keep them guessing.
- Know your basics. Who are your detectives, police professional or civilian? Who was murdered and how were they murdered and why? Who are the suspects? What obstacles stand in the detective’s way? Who is the killer? Do your homework, know your method of murder—gun, knife, poison—and make your story plausible.
To Structure Your Plot:
- Introduce your protagonist.
- Reveal the crime.
- Establish your protagonist’s goals and desires.
- Determine your setting (important for sub-genres).
- Introduce other characters (one may be your antagonist).
- Set up obstacles the protagonist must face to achieve the goal.
- Create subplots (often about the protagonist’s career or private life).
- Raise the level of obstacles the protagonist must confront to raise the suspense.
- Reveal clues as the investigation intensifies, including a core clue.
- If a murder mystery, add another murder.
- Sub-plot deepens.
- Introduce red herrings and take away a promising suspect.
- Motives are revealed.
- Misdirection regarding the main plot.
- Main clue revealed.
- Sub-plot resolved.
- Stakes for the protagonist raised higher.
- Climatic confrontation with the perpetrator.
- Hook your reader. The first sentence, sentences, or paragraph must draw your reader in. For a mystery story, it is best to begin with action of some type. The murder occurring or the protagonist doing their job (a detective at a crime scene, for instance).
- Establish empathy with your protagonist early. Your reader must identify with them and the goal they seek.
- As stated in plot development, give your reader a murder/crime early in the story. Introduce the plot focus within the first half (but no later than the end) of the first chapter.
- As you develop your plot, begin to consider the development of your characters and the secondary characters.
- Pace your story, include waxing and waning action and offer a couple of mini-action scenes, and a more significant action scene in the middle, building to the final climax with the antagonist.
Plot is always essential to any story but imperative to a mystery. Every nuance of the story needs to lead to the resolution of the protagonist’s goal. Many writing “experts” like to purport that novels are plot driven and some say character driven. I believe you can’t have one without the other. Tomorrow we will examine the importance of characters and how to develop them within a mystery story.