“Nora Roberts says she never knows where her story is going, that she sits down at the computer to find out.”
Writers, when they aren’t writing, love to talk about writing. It is, after all, our passion. A favorite topic of these discussions, and one that garners a lot of questions is “plotter vs. pantser.” Do you outline your story before you begin to write or do you run with the idea that pops into your head without a care?
The discussion on how to construct a novel, outline or write without a plan, is one that elicits many opinions. There is no right or wrong way, the method used to write a novel is subjective and personal.
I admit to being a pantser, a writer without a plan. An idea will come to me, and I feel compelled to begin writing immediately. I formulate the beginning and end of the story in my head and work out how to get from Point A to Point B as I go along. Main characters come with the idea, and secondary characters materialize out of thin air as needed.
“Romance author Jane Graves, who identifies herself as ‘a big time pantser’ says ‘I’m cursed with not being able to see the good twists and turns of character and plot until I’m in the middle of writing the book. I can have a sense where it’s going, but absolutely nothing comes alive until the words start going down on the page. That’s when I start having revelations and seeing things I never saw at the synopsis level. For me, it’s kind of like remembering the words to an old song. If you ask me the words, I can’t tell you. But if the song comes on the radio and I’m in the middle of listening to it, I can tell you what comes next.’”
Pantsers usually cite one main reason why they prefer not to outline. They thrive on the unrestricted flow of creativity, which not having a plan gives them. Personally, I enjoy experiencing the story as it unfolds naturally. I don’t want to know what my character’s favorite food is or exactly where a murder is going to take place until the scene evolves. I prefer the characters surprise me.
Another reason is the tedious process of plotting out the story before writing. Many pantsers, this one included, feel very confined by a detailed plan. Outlining is akin to writing the story prior to writing the story.
There are problems with writing without a plan. You can write yourself into a corner, discover you have a major plot hole or realize the beginning of your story may be the middle and you have to develop further back into the story instead of going forward. A major criticism of this writing process is that without planning it often requires a considerable rewrite to attain plot cohesion.
I suspect pantsters will admit they do some planning. Complex plots and numerous characters can be confusing. Some writers will sketch out chapters or write down key plot points as they develop them to keep track. I admit to doing both, I am notoriously horrible at remembering character names, so I keep a character list. I have also discovered that creating a chapter list, noting the significant plot events of the book helps keep me focused. My chapter notes are fluid, changing as the story unfolds, and my brief notes perhaps only a cryptic “ body discovered” but does help with keeping an even pace throughout the story.
Plotters, or outliners, on the other hand, thrive on detail. They wouldn’t dream of writing, some quite meticulously, without planning the entire story. Spreadsheets, index cards, journals, loose paper, word docs, all serve as platforms for the all-important outline.
During the years JK Rowling was publishing the Harry Potter series, she gave a television interview where she discussed the large spreadsheet she created to plot out and track events in her epic novels. The enormous undertaking required to produce a series like Harry Potter underscores the plotters’ belief in planning. Multiple characters, plotlines, and volumes require attention to detail and even as a pantser by nature, I can see the value of plotting.
One of the serious issues that plague many writers is their inability to finish a project, short story or novel because they lose track during the middle. While a beginning and an ending are often known, how to navigate through the story to reach a conclusion often eludes them. Planning each scene, or chapter can help with this issue by providing the impetus to construct a solid middle.
There is a downside to plotting. I had a conversation with a writing coach, who loved the index card process and told me that I must write my story on the cards and then write my first draft. I didn’t. Writing a detailed outline, including every scene, every nuance to me defeats the point. When the last index card includes the words, ‘the end,’ I’ve already written the book. I don’t choose to write it again.
Also, plotting to such detail boxes one into a corner. If you have an epiphany in the middle of writing based on a detailed outline, you have two choices. Chuck the outline or rewrite it. Rewriting is tedious and time-consuming and unnecessary.
I suspect most of us are a combination of a plotter and a pantser. How much of each of these processes we embrace depends on our need for direction. The one thing I have noticed is our predilection to choose one of these styles seems to follow how we go about our daily tasks. Some calendar everything, make copious lists, some (like me) ask, “Was that today?” What is important is choosing the writing process that offers us the most productivity and the most joy.
Please listen to my interview about this article with host Paul Reeves on Dr. Paul’s Family Talk, now on Impact Radio USA.
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