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Joshua Mitchell-Taylor: Hiring an Illustrator

 

Our guest columnist today is children’s book illustrator and animator Joshua Mitchell-Taylor who is offering a guide for writers to understand the process of hiring an artist. His suggestions on what you need to know as a writer and how the creative process unfolds are invaluable for writers of any when searching for an illustrator.

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Hiring an Illustrator

By: Joshua Mitchell-Taylor

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(Illustration by Joshua Mitchell-Taylor)

I am a freelance children’s book illustrator and animator. During this past year collaborating with clients in various specialties of illustration, I have noticed that many potential clients struggle with finding the right illustrator for the job. Is it the amount of experience someone has, or their portfolio that speaks for them during the hiring process?

I have promoted my services as a children’s book illustrator for over a year now, and there are many questions that I receive from potential clients. Can you illustrate this style for me? How much do you charge for your services? Do you have a portfolio I can look at? How do I get in touch with you? Any illustrator would be able to answer all these questions. However, all these must be asked before a project can begin. That is where the negotiations take place and laying down the foundation to a successful working relationship.

The fields of specialty I can cover are character designs, graphics design, children’s picture books, comic books and many others.  Every project is unique in content and style. I remember my illustration tutor telling the class about developing your own style, and to an extent, I agree with this. What I also believe is that as an illustrator, you have to be ready to adapt to any style that comes to you. Allow an illustrator the chance to draw a character in the style you aim towards your project, as it will help you know if they are the right fit.

There can be arrangements made for how to tackle each task as the writer and illustrator. Communication is essential to any successful project. I talk with my clients via email about the projects we work on. Social media is another place that has grown more popular over the years to talk through, and I have recently discovered the potential of promoting my services there as well.

My recommendation to writers is thorough research into these aspects for your children’s books. Do you want an existing style of an artist that is already published? Do you prefer the artists’ personal style to tell your story? Is there a deadline needed for the book to be finished by the illustrator?  How is payment going to be sent to the various specialists to bring your book to life?  You won’t just have to think about hiring an illustrator, but also a publisher.

Once you have answered those questions, find out the process that the illustrator creates his/her work. Do they draw on paper and then use watercolours to give a more natural feel to the page? Is there a specific piece of software the illustrator works on? During my years studying Digital Animation with Illustration at Futureworks, Manchester, I began to piece together that the digital world was impacting more every day into the illustration and animation industries. Artists are exploring software such as Adobe Photoshop or Autodesk’s Maya for animation.

I utilise Adobe Photoshop to illustrate my ideas. However, before that I hand- draw my thoughts onto paper and scan the sketches in. It is very important to maintain regular communication between the illustrator/writer, during the developmental process. We collaborate and generate the best possible way to illustrate their idea, with a little constructive feedback. This will ensure achieving a successful outcome within the writer’s deadline.

There is something I read recently about the life of an artist “Who Pays Illustrators (And How Much), by Marianne Litman (25.10.2017)  It opened my eyes to what art should be valued at for producing children’s books. I understand that for a writer, the fees can get expensive. As an illustrator, calculating the man-hours for completing the client’s work, and settling on a final price, is done during the negotiations. The illustrator has to be able to change their prices but values their work to what they feel it is worth as well. On average I can achieve two pages of a children’s book, from sketch to digital, in one week.  The fees will also depend on the style the illustrator needs to work in. I can spend around 15 to 20 hours illustrating, sketching and any changes made on one page. Depending on the number of pages needed, it can take around 1 to 3 months per book to complete. It is always best to be realistic and work with the illustrator, in terms of the amount of work needed, to complete your project.

Personal Note:

I love to illustrate and bring ideas to life. There is a feeling an artist gets when they see their work go from a simple idea on paper to the finished project. Teamwork is important, to make a successful story come to life. Without the writers, children’s books wouldn’t be possible, so the duties are equally as challenging as an illustrator.

Here are a few quick things to consider before you hire the illustrator:

Can they work with the style you want?

  • How long will it take to complete each page?
  • How can I reach you if I need to get in touch?
  • Have a price in mind for your project, but be ready to negotiate a price as well.
  • Let the illustrator know if they will be credited in your book.
  • After looking through their portfolio, give them a chance to illustrate something for you. The artist could adapt to your chosen style.
  • Do you charge per project, or per page?

Here are a few things the illustrator needs to know:

  • How many pages are needed?
  • What style do you want to have the book illustrated in?
  • Are there any deadlines?
  • Do you have any contact details to get in touch?
  • How will payment be sent to the illustrator?

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My contact details

Email: GigglemaniaStudios1@aol.co.uk

My portfolio: https://jmitchelltaylor.wixsite.com/mitchelltaylor

 

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