Category Archives: Adam Johnson

Adam J. Johnson: Benefits of Indie Publishing: Part Two

Part Two

When you think of indie publishing or self-publishing, what’s usually the first thing that comes to mind? You usually think—not quite as professional, right? Maybe not as much earning potential? Well, I’m glad you stopped in because we are going to break these misconceptions today! One thing that traditional publishing does have the advantage of is that it is a bit easier to become nationally recognized through a traditional publishing house, but we will cover that in Part Three of this series.

Issue One: I won’t be taken seriously as a self-published author.

This is something that many indie authors fear. We struggle with it and convince ourselves that we need to keep sending manuscripts to big publishing houses so we aren’t “settling” for indie publishers. Well, let’s talk about that for a minute.

Self-publishing is quickly moving to the foreground for a lot of reasons. There are some who will say that a self-published author isn’t a professional writer. The main reason for that is they don’t gain the preconceived success that comes with traditional publishing. But that’s all it is—perception. There are writers with book deals who are just scraping by, and there are self-published writers who are raking in upwards of forty thousand a month. I don’t know about you, but I would call that success! It all lies in your perception and the work you are willing to put in. If you don’t see yourself as a professional writer (even if you have a day job), then you won’t put in the work of a professional writer. Ultimately, if you want to be taken seriously as a writer, then you need to take yourself seriously and work hard at honing your craft and producing your best work! Which brings us to the advantages of indie publishing.

Issue Two: There’s not as much earning potential.

This is so far from the truth it hurts! The reason this is a popular notion is because of the instant accreditation you can get through a traditional publishing house. Publications and critics will see traditional publishing as a sign of quality because the work comes from a credible source. So you will have initial purchase orders, but as we covered in part one, purchase orders don’t necessarily translate into sales. Let’s look at how indie royalties work.

There are two ways you can go—completely self-published where you handle every aspect of creation, publishing, and marketing, or there are indie publishers who pick up some of the legwork. We will delve into the differences between the two in the next part of this series. Either way you go, the royalties end up pretty similar. Amazon royalties can vary depending on where and how you are publishing.

Through KDP (Kindle Direct Publishing), you can sell print books. After their cut is taken out for printing costs and a little to wet their beak, you are left with around 23-35% profit. Which isn’t bad when you consider that you won’t have an agent taking 15% of your profit from sales.

For ebooks through KDP, as long as you are priced between $2.99 and $10, you will profit a whopping 70% of your sales—something you will never see from a traditional publisher. With population growth and the widespread use of the internet and social media, that leaves you with literally billions of people that you can potentially reach. That’s easier said than done, though. That is why it is of the utmost importance that you build your marketing skills and practice them daily!

With an indie publishing company, you will, on average, keep a flat rate of your profits, and it can vary from 40%–60% of your sales. You also get the benefit of purchasing physical copies of your own book at cost, not retail price. So, with that being the case, say you decide to sell your book at $5 a piece. With 60% profit, you will make $3 per book sold. Meaning you will only need to sell 333,333 copies of your book to make a million dollars. I say only, but we all know that isn’t easy, either. However, it’s a lot better than the 1.3 million copies you would need to sell to make a million with a traditional publisher.

Other Benefits

Some benefits that I didn’t cover are that when you completely self-publish, you retain all of your rights and are free to do what you want with your work. This could come in handy in a lot of scenarios. Also, the rate of publication is exponentially quicker. You can have your book on the market in a very short time after the final edits are complete. As you can see, there are many benefits to self-publishing—it just takes a little more work than traditional publishing. So, if you are willing to put in the work, then you will be poised to reap the benefits!

Thank you for reading, and stay inspired! Stay tuned for Part Three in our Benefits of Indie Publishing.

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Adam J. Johnson: Benefits of Indie Publishing Part One – Traditional Publishing

 

Part 1: Traditional Publishing

  Many of us dream of getting that acceptance letter from one of the big publishing houses. We wait by the mailbox or constantly check our email in a child-like fervor, hoping to see “Congratulations” come through. We think that once we get that acceptance, life is set, we’ve made it, and we are now successful authors, right? Well, that couldn’t be further from the truth. There are so many hoops to jump through with traditional publishing, and for a brand-new author without an agent, you will almost certainly get the short end of a short stick. There are a few exceptions to the rules—those like J.K. Rowling, who found massive success with her first series, but that is a rare case. Yes, we all want to hit that goal, but we need to plan for reality and write like we’ve got that success waiting for us. Let’s look at some of the drawbacks of traditional publishing. 

Royalties  

Royalties vary greatly for traditional publishing contracts. They can be from as little as 3% to as much as 15%. It would be exceedingly rare to get anything more than 15%. They have overhead costs, binding costs, and distributing costs that drive your earning potential way down. For a new author, you will probably get between 3-5% royalties. If you got the high end at 5% and your book sold for $15 per copy, that means you would make $0.75 per book sold. At that rate, you would have to sell 1.3 million copies of your book to make a million dollars. Sounds doable, right? What they don’t tell you is that the big publishing houses don’t really do much marketing for you—that is still mostly up to you. If you want to get the best deals and have someone set up events for you, you have to hire an agent before even getting signed with a publishing house. Your agent will go to bat for you negotiating your publishing contract and could get you a slightly higher percentage. They will set up events for you and get you different speaking gigs, but their focus isn’t even marketing, so that’s still up to you. Not to mention the high cost that comes with having an agent. They are an invaluable resource, but most authors can’t afford one before signing with a big publishing house, so most of us lose out when entering into new contracts with publishing houses. The advantage that traditional publishing gives you is that they will get you into many of the bigger-name retail stores. However, even though they get your book in front of those buyers, that doesn’t guarantee a sale. Most bookstores and retail outlets will place an order for your book through the publisher, but they usually require that they retain the right to return unsold books to the distributor. This is damaging to your royalties and this is how.  

The bookstore puts an order in for your book and the publisher sends it to them through their distributor. Even though there is technically a purchase for your book, the publisher holds payment until they are certain of how many copies were actually sold. This process could take months. So, if the bookstore purchased 5,000 copies of your book and only 1,000 copies sold over the course of six months, then the bookstore sends back the other 4,000 copies. Once the publisher receives the unsold copies, they will release payment for only the 1,000 copies sold despite the large order that was originally placed.  

Book Advance 

 

Now, for people who have money already or are already somewhat successful authors, the book advance is great! However, for new authors and people without much money, it can be damaging. Here comes the tricky part regarding if the publisher had paid you an advance on your book, which they do a lot of the time. Say that 1,000 copies were the first copies of your book sold. It took six months to sell through them plus the time it took for the distributor to receive them and verify that they are there. Now, the publisher recoups their money from the advance before you even get to see a royalty payment. So If those copies that you sold don’t cover the advance, now you’ve waited around seven months and won’t receive any royalty payments because your advance wasn’t covered. So you can see how purchase orders from a bookstore don’t necessarily translate into sales. This is where marketing comes in. Most of the time, the big publishing houses won’t put much, if any, money into marketing your work unless you are an established author with a good following. So you are still left to market your book with your own resources and you are taking such a small percentage of the profits for your own work!  

So sure, traditional publishing does seem like a glorious pursuit, and sometimes it can be! The reality of it is—it’s not as glamorous as you would think and is actually somewhat unfair to the author who puts in a large majority of the work to get a small fraction of the rewards.

Stay tuned for part two of this series where we will dive into the reality of indie publishing and the benefits we can reap from it.

Adam J. Johnson: Channeling your Muse

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Writer’s block is a topic we like to frequently touch on because it’s something that plagues us all! No matter what type of writer you may be, whether it’s technical writing, blogging, journalism, or you’re purely an author, you have done battle with this daunting foe. It rears its head at the most inconvenient times and makes you feel powerless. It’s seemingly a random occurrence that shows up and leaves as it pleases. This however, is not the case. There are several reasons that we suffer from writer’s block and several reasons why some are less plagued by it than others. Our muse or personal source of inspiration is one of the tools in our arsenal against writer’s block. Sadly, we often view our muse in the same way that we do writer’s block. We think it’s random. How many times have you felt the rush of inspiration striking and urging you to take action? How many times have you thought, “I just don’t feel inspired,” or “I wish my muse would speak to me?” Let me tell you, your muse is like that old friend you haven’t spoken to in awhile. You really miss them and want to talk to them, but you aren’t sure how to approach it. The answer is always as simple as reaching out and connecting with them.

The first step is identifying your muse. Now, I know this may seem pretty basic, but there are several of us who go completely by feel and haven’t put much thought into where their inspiration comes from. Your muse is, at its simplest, what motivates you. Let’s dive into that, shall we? Naturally, this will be different for everyone, but the core ideas are the same. Your muse speaks to you. You just have to stop, cut out the noise and distraction of everyday life, and listen. For authors, I find that your muse is often tied to the genre you are writing in. When you search for her using that filter, it will be much easier to identify your muse. For example, I love Fantasy. I love reading it, and I love writing it! So, I look at what inspires me most about Fantasy and I surround myself with those things while I’m writing. Which brings me to the second step of channeling your muse. Keeping your inspiration consistent throughout your day!

I am a visual person, so Fantasy imagery strikes me hard and inspires me without fail! Since I primarily write Fantasy, I will keep posters with Fantasy themes in my writing space, and I will change the lock screens of my phone and laptop to mirror the ideas of my current project. This is me channeling my muse, keeping in contact with my old friend inspiration. I also love music, as most of us do, so let your muse speak through the music you listen to as well. I personally love metal music, but not all of it is really inspiring for Fantasy, but I find some that is. When in the middle of a project, I listen to a lot of symphonic metal bands like Epica and Nightwish. The orchestral elements submerge me in a feel of the old world and put me in the Fantasy writing mood. If i’m feeling something a little lighter, I will listen to bands like Flogging Molly. The old Irish culture flows through the lyrics while the fiddles transport me to that medieval state of mind. A few common enemies to inspiration are distractions like TV and the internet, so I try to find creative ways to turn distractions into inspiration. Don’t get me wrong, even if you execute this part well, they are still distractions and too much of it will lead to excuses to not get your work done.

So, what do I mean by turning distractions into inspiration? I’m going to continue with writing Fantasy as an example. If I feel like binge watching TV, I try to keep the themes of what I’m watching within the realm of Fantasy. I will watch shows like The Magicians or movies like Lord of the Rings. The internet, particularly Facebook and social media, seems to be a huge source of distraction for us these days. In order to combat that, I try to follow a lot of pages that are Fantasy themed or engage in Fantasy discussions within the writers’ groups. Also, if I find myself staring at my phone or the computer, I will search through Pinterest boards. Just shuffling through Fantasy images usually helps send a shockwave of inspiration through my brain.

Obviously, you won’t be able to spend your whole day totally immersed in themes and elements from your genre. That could even be counterproductive. However, these are just some ways that you can channel your muse throughout your day to keep your inspiration flowing strong. Don’t Look at inspiration as some random phenomenon that strikes as it feels. Remember that your muse is as much a part of you as your willpower or your sense of humor. She is always there waiting to inspire you. It just depends on how much you feed her and nurture the relationship. When you combine steps 1 and 2, you are not only channeling your muse, but you are feeding her. Making her grow stronger and giving her a more prominent voice in your mind. So, instead of it being a step-by-step process, it’s more of an equation to bolster your personal investment.

As always, the team at WU! wishes you happy writing, urges you to stay inspired, and insists that you live limitless!!

Adam J Johnson

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(Illustration: Apollo and the Muses)

Adam J Johnson: Defeating Doubt: How to Stop Holding Back

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When you found a true passion for writing, did you know it would be so hard? You love the creativity, crafting a story, but the business end of it seems daunting? That’s because it can be! You put your heart into a story, it’s your baby, and then you present it to the world. It might get rejected by publishers and editors might tell you to change it. People might even say you will never make it as an author. How can they say all that when you put so much emotion, so much effort into it? All the negativity can build on us and eventually get us to question our own abilities—even possibly believing what they say. Sometimes, unfortunately, it causes some to give up. This is our familiar friend, doubt. Doubt will always be there. It stifles creativity and kills success. So, how do we get past it? How do we become successful in the face of such a vile enemy?

Doubt is a natural coping mechanism. When we create and step out of our comfort zone, it’s a risk. We disrupt the safe state of our lives then doubt steps in to tell us not to take a risk because we are already comfortable—safe. While it may keep us comfortable, it also keeps us stagnant. The first step to defeating doubt is to acknowledge when it happens. When you hear that voice pop up saying, “I’m not good enough,” or “I’ll never make it,” identify that as doubt holding you back to keep you comfortable. We don’t want to just be comfortable, do we? We want to step out of our comfort zone because that’s where our current situation ends and growth begins. Stepping out of your comfort zone and denying doubt is the first step on the pathway to success.

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Once you’ve acknowledged that nagging voice of self-doubt, you can begin to fight it and change your mindset. When it pops up, replace doubt with positive rhetoric. Tell yourself, “no, I can do this” or “yes, I am good enough!” Self-talk is a huge factor in your overall mindset and success. A lot of you may think mantras or self-affirmations are silly or a waste of time, but they truly do change the landscape of your mind. When trying new things, it usually takes around 30 days for something to become a habit and 90 days for it to become a lifestyle. The same is true for your self-talk and its direct correlation to your quality of life. When you repeat to yourself, “I’m unstoppable,” or “I can make my dreams come true,” or any positive message that you need in your life, it starts to become a part of you. If you repeat that for 30 days, how do you think you will feel? How about 60? How about 90? You will start to feel unstoppable, you will start to feel like you can grab your dreams and make them a reality. The same happens to us when we let doubt have a defining voice in our minds.

Think about it, how long have you had self-doubt? How long have you thought that you aren’t good enough or even that you don’t have enough time in the day? Chances are, it’s been more than 90 days, meaning that mindset has become a part of who you are. Doubt has become a guide in your life. This is nothing to be ashamed of. As previously stated, doubt is a mechanism to keep us safe and comfortable. We are only doing what will keep us safe. So don’t be ashamed of the doubt because it’s present in all of useven the Titans of our craft suffer from doubt. The main difference is, they have conquered doubt, stepped out of their comfort zone and made the necessary adjustments to walk the road of success. Stephen King even fell victim to doubt. When he was an aspiring author he faced rejection after rejection. It came to a point where he let his doubt win and threw his newly-completed manuscript in the trash saying, “it’s no use, it will just be rejected.” His wife had so much faith in him that she pulled that manuscript out of the trash and sent it in for him. The manuscript that his wife sent in brought his first publishing contract. It was for a story you may have heard ofit was called “Carrie.”

So again, do not let doubt beat you into submission. Keep fighting it and stepping out of your comfort zone until you are successful because the key to success lies in each of us. Sometimes we just need a little push from someone who believes in us. If you don’t have that support, you need to be your own support, because if it is truly your dream then nobody can bring it to life except you. There are three simple steps to follow when overcoming doubt and freeing yourself from holding back.

  1. Identify negative self-talk
  2. Replace it with positive motivation
  3. Take action toward your goal.

Don’t think I’m offering you a quick fix for your self-doubt because that will only breed frustration and even stronger doubt. The road to defeating self-doubt is not an easy one or a fast one. You must constantly remind yourself that you ARE capable, you ARE good enough, and you WILL accomplish your goals. When you feel that doubt, that is the perfect time to take action. When you feel like you aren’t good enough to write that story, that’s when you write that story. If you think you shouldn’t send out a manuscript because they won’t accept it, that’s when you send out that manuscript. When you get into that positive cycle of challenging negative self-talk, replace it with positive. By taking action against the doubt, you will find yourself becoming more productive. You will find yourself becoming more positive. You will find yourself becoming more successful and ultimately, you will find yourself being a happier version of yourself.

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Thank you all for spending this time with me and the rest of the Admin team from Writers Unite! We hope you Live Limitless and not only chase but live your dreams!

Live Limitless

There is always a path from the place you are to the place you want to be. Never stop building the bridge to your dreams. Work hard, be persistent and you will create the reality you dream of.

We are used to creating new worlds for our characters and we work tirelessly to build full, exciting worlds for our readers. The truth is, we can do the same for ourselves and the key to that ideal world lies in each of us. We determine our mindset and outlook and that determines our world. Build well and build often. 

#livelimitless

 

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LiveLimitless: Never Stop

Don’t say “I wish I made more money” or “I wish I could finish this novel” or “I wish this publishing company would accept my work.” If there is a change you want to see in any area of your life, you have to get up and make it happen! Never stop adding value to yourself, never stop practicing your craft and never stop building the life that you dream of! Words have power and YOU control that power! Use it wisely.
#livelimitless

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Adam J. Johnson: Live Limitless

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Hello, everyone!

It’s an absolute pleasure to be here on this terrific platform. Some of you know me, and some of you don’t, so why don’t we get to know each other!? A little bit about me—

My name is Adam J. Johnson. I’m father to a beautiful 13-year-old girl who not only keeps me on my toes but continually teaches me new life lessons. I’ve been a hospitality industry professional for sixteen amazing years and have been writing seriously for about five years. I’ve recently decided to take all those wonderful skills I’ve built up over the years and use them to help others break through their barriers. My mission is ultimately to make the biggest possible positive impact I can in the world! That’s how Adam J. Johnson Coaching was born.

I’ve always loved making a positive impact in people’s lives which is what led me to the Hospitality industry and ultimately what led me here—with all of you. It’s my mission to constantly add value to myself so I can add more and more value to other people’s lives. Think about it—how many times have you felt unfulfilled in your job, relationships, and life in general? Wouldn’t you take the steps necessary to experience profound changes and enrich your life and relationships? That is just the beginning of what I hope to do for anyone reading this blog page, and don’t be afraid to share it with others who could use more positivity in their world!

This is a just a short introduction, but I will be covering a variety of topics in the weeks to come. I will provide you with the tools and tactics to break through your mental barriers and lead a fuller, happier life! Thanks for reading.

Remember: stay hungry, be happy, and live limitless!

Adam J. Johnson

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Fantasy Genre: The Spectrum of Magic

The Fantasy Genre

Fantasy magic

The Spectrum of Magic

 Many things separate the fantasy genre from other genres, the variety of characters – dragons, fairies, elves, dwarves, etc. – talking trees, or mystical locations, but none are as important as the magical system that you use.

As you create a magical system, there are acceptable patterns that you may follow. Remember to create a system unique to your story and always consistent.  Adam Johnson writes about magical systems and how to create them.

 

Hard magic, Soft magic, and the Middleground.

 

Soft Magic:

Soft magic is an underlying force that isn’t quite explained. An Example is The Lord of the Rings trilogy. Tolkien never really explains the way his magic works so, we are left with a sense of wonderment and feeling like there is powerful energy at work in the background. He executes this well because he doesn’t use magic to solve the character’s problems. He doesn’t just have Gandolf teleport Frodo to Mount Doom because that wouldn’t make any sense to the reader and would subsequently make the magic and by extension, the whole story, seem weaker.

Soft magic can be a great tool for creating a sense of wonderment in your world. However, you must be careful in how you use it. When creating a soft magic system, you should do it in a way that just supports the characters and the feel of the story. You should not use magic to solve problems in a soft magic system. If you do, it will feel like you’re creating new rules for each situation to give your character a way out. That gets old really fast. Often, in soft magic, Spells won’t turn out the way the character intended them to. If something completely unexpected happens, that the character didn’t see coming, that’s ok because the reader didn’t see it coming either. So, in Soft magic, the Magic system should be there to support the ambiance of the story, not advance the plot. Unless the magic causes problems for the character, then, it’s perfect for the plot.

 

Hard Magic:

Hard magic is where the author lays out the rules and applications for the reader. This is done so the reader can have fun and feel like a part of the magic. It also allows the author to come up with all kinds of tricks and twists within their magic system. These are my favorite types of systems to write. They allow me to have fun creating the system. As a reader, I love understanding the inner-workings of a magic system and seeing what the author comes up with and if it seems comprehensive to the rules set forth.

If you think of it in superhero terms, You are introduced to your hero then you are introduced to their powers. Once you know what their powers are, you already have a great idea of what they can do and what their limits are. From there the author can use those abilities to come up with a whole host of abilities that remain within that power set. Each new ability that makes sense will excite the reader and give them a greater sense of realism.

 

The Middle Ground:

The Middle ground is creating a balance between those two ends of the spectrum. It means giving your reader a good idea of what to expect while still maintaining a sense of wonder within the world. The Harry Potter series is a perfect example of a great middle ground magic system. Ms. Rowling gives us some general guidelines to how her magic works. We know that they need a wand and that they need to know the correct incantations. Those rules stay pretty consistent throughout the series but, She also adds new rules and new applications of magic in each book. This allows her to retain a great sense of wonderment over all. So, each individual book stays very consistent with the rules that have been introduced in that book. This means that her whole series was somewhat soft magic but, each individual book was hard magic. This created a wonderful balance that is a blast to read and easy to get lost in.

 

 Traditional Forms of Magic

  • Abjuration: The power to protect/heal.

The school of Abjuration is focused on defensive and healing powers. The can create physical and magical barriers such as walls and force fields. The create glyphs and wards to protect an area or person. Glyphs and wards have an incredible range of effects and intensities. They are activated by an enemy crossing into it or passing through it. Once activated, a ward will release the effect that has been stored in it. It can be anything from trapping the enemy to transporting them to another dimension, even instant death.

Abjurers also have potent healing magic. This can range from healing minor cuts to restoring entire limbs. Depending on your magic system, Abjurers can even bring the dead back to life.

Feats include:

  • Defense Powers
  • Force-Field Generation
  • Healing

 

  • Conjuration: The power to transport living and non-living things.

Conjuration is a craft that requires a great deal of Studying and research. There are several applications of this magic but, The primary way it’s used is for summoning. Summoning is The act of pulling a Creature/Demon or Entity from their realm or their home and transporting them right in front of the mage. Summoning can work a few different ways as well. The creature summoned can be under complete control of the mage, The creature could just attack whatever he sees, and the mage has no control. The Summoner must draw pentacles on the ground. One for themselves and one to contain the creature. From there, the summoner will employ tactics to either strike a deal with the creature or torture them until they agree to help.

Regardless of the tactic, the summoner must always be wary. The creature summoned is not happy to be pulled away from home and usually, want to kill the summoner. So great lengths are taken to ensure the casters safety and the creatures cooperation.

Summoners can also use their power to open portals to different destinations.

Feats Include:

  • Creation
  • Summoning
  • Teleportation

 

  • Divination: The power to gain information.

Divination is the school of magic that focuses on gathering information, viewing, and probability. A mage that uses Divination is often called a Diviner. Let’s say you encounter a new situation or machine. You have to experience the situation to figure out what will work and what won’t. After you learn how it works, you’ll start to learn why it works as well. A Diviner can skip those steps by looking at a situation and automatically seeing all the various outcomes for the situation.Divination can also be used to make predictions.

With the Aid of a crystal or a scrying glass, a Diviner can Watch things happen in real time as if he were there. powerful practitioners of the craft can even read thoughts from Far away.

  • Extrasensory Perception
  • Magic Sensing

 

  • Enchantment: The power to influence the minds/emotions.

Note:  This is the magical application of enchantment on another living being. Enchantment of objects follows a different set of rules and can have limitless outcomes.

Enchantment is the ability to control someone’s mind or their emotions. Enchantments can come in many forms but, it is important to note that it does not include possession of a host’s body. The Enchanter can only control the mind and the body, not enter it. Enchanters use this power to make people perform tasks or to tip the odds of a situation in their favor. It is sort of like hypnosis in a sense. In Star Wars, Jedi’s use a form of Enchantment that they call “The Jedi mind trick.” It is a strong power of suggestion that essentially brainwashes the subject. This can also be used for interrogation and the extraction of information.

Feats include:

  • Invocation
  • Mental Manipulation
  • Emotional Manipulation

 

  • Evocation: The power to control the forces of Nature for a variety of effects.

Evocation is the practice of Calling forth energies to work for you. It can be summoning fireballs or affecting the energies in your own environment to achieve things like telekinesis. In the hands of an experienced wizard, the school of Evocation can be used to cause tremendous damage. Users of Evocation can call forth lightning and projectiles of concentrated magic energy.

  • Animate/Reanimation
  • Elemental Manipulation
  • Energy Manipulation
  • Telekinesis

 

  • Illusion: The power to create illusions.

Illusionists are often overlooked and thought of as being weak. This is not the case at all. Being able to trick the mind is an incredibly powerful tool. Creating illusions is pretty self-explanatory. The caster creates a vision of something that’s not really there. Seems simple right? The Illusionist, however, can be incredibly deceptive and has the ability to get themselves in and out of virtually any situation. The only downside for them is that their illusions must be real enough to fool even the most perceptive of people. If someone is very sharp mentally, they can see through the illusion for what it really is.

Some feats include:

  • Disappearing
  • Illusive Appearance
  • Psychosomatic Illusion
  • Subjective Reality: create illusions that become partially real.

 

Necromancy: The power to manipulate the forces of Death.

Necromancy is often regarded as the darkest of dark arts. Many of the spells and rituals require some or all of someone’s life force. So, you either have to drain them or kill them to gain the catalyst you need for power. Necromancers are obsessed with power and will stop at nothing to become more powerful. The ultimate goal of any necromancer is to become immortal. Necromancers can raise the dead from their graves and control legions of them depending on their strength and ability. They can speak with the dead and gain control over the undead, i.e., a powerful necromancer could control a vampire, but an extremely powerful vampire isn’t likely able to be controlled. If a necromancer becomes extremely powerful in his lifetime, he has a chance to come back to life as a lich after he dies.

Some Feats include:

  • Immortality
  • Undead Manipulation
  • Skin/bone grafting

 

  • Transmutation: The power to transform living or non-living

Transmutation is the ability to transform one thing into another whether the subject is living or not. Granted, as with anything else, there are varying degrees of difficulty. It’s one thing to turn a cup into a pencil but, quite another to turn a person into a plate.This can be used a wide variety of ways.

Some feats include:

  • Elemental Transmutation
  • Shapeshifting

 

Contemporary Magic

  • Blood Magic

 

The mage uses his own blood as a source of power. Blood mages can achieve incredible feats and perform incredible acts of power, all of which are considerably gruesome. The blood mage typically performs a ritual or speaks an incantation to build up the magical energy then, they cut themselves to release the magic along with their blood. So, essentially they pay for magic with their blood or their life force.

Blood Mages can also Twist and bend the blood of another to cause excruciating pain or to control them like puppets on a string. This type of magic is typically considered evil or taboo even in the most diverse of fantasy worlds.

As you create your magic system, remember that the desired goal is for your reader to suspend reality and engage in your world. Provide them with a structure that makes your magic plausible, and they will want to inhabit your world.

 

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Resources:

Article was written by Adam Johnson for Writer Unite! Workshop

 

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Author:

Adam Johnson

Since Adam Johnson was a child, he had an insatiable craving for a great story. Whether movies, comic books, TV, he was hooked on the story. An invitation to play Dungeons and Dragons led Adam to write a backstory of one of the characters, and the desire to write fantasy was born. When not writing high fantasy, Adam is restaurant management and a tattoo artist. He also serves as an administrator for the Facebook group, “Writer’s Unite!,” with 41,000 + members from around the world.

Fantasy Genre: Fantasy Worlds –  Creating Imagination

Fantasy Worlds – Creating Imagination

Fantasy world

“The muse in charge of fantasy wears good, sensible shoes.”
― Lloyd Alexander

 

As a writer of fantasy, you are in control of your reader’s imagination. No other genre allows a writer to create a world for a story to exist in impossible ways. Consider a cloud city in science fiction story. Science fiction can suspend reality to a point, but the events, spaceships, and weapons involved require that there be some grounding in the laws of physics as we know them to be plausible. Those floating cities need anti-gravity machines to exist. Not so in fantasy, magic makes the cities float.

That is not to say that rules do not exist when world building in the fantasy genre. As discussed in a previous article, the magic selected or created for the story must have rules that are followed to be plausible.

Where to begin? You should begin with the plot of your story and your characters. Consider the adventures your character will have throughout the story and then imagine you are the reader. Where would you want the story to unfold? Let’s start with the basics.

The World

Your story can exist anywhere. Create an entire world, a hidden realm, or a magical world existing within a mortal world. The sky can be orange, the grass purple or crystal, the possibilities are endless.

Build your world by considering the following:

  • Time Period: Is your adventure in an ancient realm or a modern world? Much of the rest of your decisions regarding the world you create will be influenced by the time period you set it in. Agrarian, industrial or technological? Don’t forget to determine their calender.
  • Where do your characters live, forest, mountain, valley, desert? Near a river or an ocean?
  • Cold, hot, temperate. Does it rain or snow or is there endless heat? Are there major storms, with lightning, thunder, torrential rains, typhoons, whirlwinds? Or is the climate stable… perhaps due to magic?
  • Inhabitants: Describe your characters. Color of hair, eyes, how they move. Decide the clothing they wear. What is their language and is there more than one language spoken? What is their diet?
  • Flora and fauna: What animals exit? Are they used for food, burden, transportation, or recreation? Determine the trees, grasses, flowers, agricultural plants.
  • Dwellings: Do they live in wooden or mud huts, stone houses, or palaces, suburbs or the city. Single-family units or tribes?
  • How do they educate the population or those with magical skills?
  • What is their social and family structures? Their beliefs? How do they interact with each other? How do they care for the sick? How do they entertain themselves? Do they have common values or are they in conflict? Are they militaristic or passive?
  • History: How did their civilization evolve. Has magic always been a part of the world? What races of magical beings have been lost or still exist. If more than one realm, are they at war?
  • Employment: Do they trade or barter? How do people make a living? How are they compensated?
  • Transportation: Do they travel via magic, or beast, or in a mechanical vehicle?

Adam Johnson writes about the aspects of world building that often get overlooked.

Your world can be as fantastic as you want it to be. Never limit yourself when creating your world. However, you should start with physics that mirror our own. Meaning, gravity functions the same. Unless, your setting is an alien world but, the physics of that world must be consistent with what we understand about physics. This will keep the world at least somewhat familiar to the reader, making them more comfortable.

Consistency is key to plausibility. If you have made changes to your world, they cannot become an afterthought. Your world and your characters must be consistent, and any changes must be apparent and have solid reasoning for the change. Things should function as much like our world as it can while retaining the details that make your world special. (Such as the wizarding world of Harry Potter. The wizarding world had its own rules but, they were all consistent. Also, that world was hidden from the human world to show the difference and allow our minds to be more open to the concepts that she introduced after.)

It is your world but, it is not just about you. Your world should be somewhere that other people would want to live in. This means that your world should be so immersive that once the reader is finished, they are scrambling to find anything that will put them back in that world. It doesn’t just have to be friendly, it can be a treacherous world that no-one wants to find themselves in but, if you really capture that world in all its glory, the reader will be begging to come back.

Remember to ask yourself, who am I writing this for? Let’s not fool ourselves, we write stories because we love weaving a tale. There’s a story that we want to see come to life, and we take it upon ourselves to craft the story. With that being said, there is always an audience that we are writing for.

 

By Adam Johnson and Deborah Ratliff

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Resources:

https://writersedit.com/fiction-writing/the-ultimate-guide-to-world-building-how-to-write-fantasy-sci-fi-and-real-life-worlds/

Quotations from an article written by Adam Johnson for the Facebook group Writers Unite!

https://www.jkrowling.com/

https://www.goodreads.com/quotes/tag/world-building

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Authors:

Since Adam Johnson was a child, he had an insatiable craving for a great story. Whether movies, comic books, TV, he was hooked on the story. An invitation to play Dungeons and Dragons led Adam to write a backstory of one of the characters, and the desire to write fantasy was born. When not writing high fantasy, Adam is restaurant chain management and a tattoo artist. He also serves as an administrator for the Facebook group, “Writer’s Unite!,” with 41,000 + members from around the world.

Deborah Ratliff is a Southerner with saltwater in her veins and love of writing. A lifelong mystery fan, her first novel, Crescent City Lies will be published soon and a second novel, One of Those Days to follow. She has also written numerous articles on writing. Deborah serves as an administrator for the Facebook group, “Writer’s Unite!,” with 41,000 + members from around the world.

 

Facebook Page: https://www.facebook.com/D-A-Ratliff-594776510682937/notifications/

Blog; https://thecoastalquill.wordpress.com/

 

Fantasy Genre: Characters Verisimilitude

 

Fantasy character

Fantasy Characters: Verisimilitude

Since we are discussing characters, let’s talk about the most important tool an author can utilize when dealing with character development…

Verisimilitude!

Verisimilitude, defined as the appearance of being true or real, is the author’s ability to make the character seem real. “How do I make my characters seem real,” you might ask. Your character should seem just as real to you as your best friend. You should know them like you know yourself. Make them unique, give them quirks, flaws, and traits. Give them jobs, families, and friends. To truly convey your character in a way that seems real, you must understand who that character is. Deborah has been kind enough to cover your crucial character types and some of the traits that make your characters stand out from the rest so, let’s dig a little deeper into the character’s and how detailing their profession can add considerable depth to a character.

 

Professions: In literature as a whole, people love reading about work, especially if it’s a job that they have been exposed to. This is just as important to a fantasy novel. You may not be able to write about jobs that are directly identifiable with the reader. Let’s face it unless it’s an Urban Fantasy, your Protagonist won’t be working behind the counter of a local McDonald’s.

However, you can still add a sense of realism to the professions included in your fantasy. Do some research into jobs that were held hundreds of years ago. Compare what you know about fantasy to what they were doing in the real world. We all know what a blacksmith is but, do you know what a quartermaster is? Do you know about the smithing process? The heat treat and the quench of the blade are crucial to the hardness, and its ability to keep an edge. It’s adding small detail like this into your work that really makes your story stand out. It also gives you credibility with the reader. Trust me, if you.re talking about a profession that actually exists in the real world you want to have your facts straight. Being an author means opening yourself to constant scrutiny by your peers and the public. They will be all too happy to point out any mistakes you have in your details. This is not meant to discourage you but, to help you add the sense of realism that readers are looking for when they want to totally immerse themselves in your world.

What about professions that don’t exist in the real world? No, your protagonist won’t be working the drive-thru but, they might be an apprentice to a wizard or a master of potions. They could be a demon hunter, or maybe they are something we’ve never seen before. Regardless of the profession, all professions have rules and a lifestyle that comes with it. Compare your profession to real-world professions and find similarities. Find common complaints that your character might have about the work. Maybe your character absolutely loves his job but, doesn’t make a great living doing it. Put yourself in their shoes and see what they would be doing on a day to day basis. Would a sorcerer’s apprentice just hold things and watch his master perform magic? No! He would have to have detailed knowledge of the spell components his master needs and the properties of each. He would be charged with keeping the wizard’s study clean and organized. He would file all the books and scrolls for his master as well as run errands as needed. Again, it’s the small details that you add that make a profound impact on the immersive nature of your world.

Can you overdo it? Of course, you can! You don’t want to add small details to every little thing that your reader encounters in your book, or you’ll end up with a 2,000-page tome with step by step instructions on everything from blacksmithing to knitting. Details are important but, it’s the finesse that they are delivered with that make an author stand out. Your characters, your world is completely your own. You should know as much as you possibly can about them to deliver a real experience of suspended disbelief.

 

Smithy

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Resources:

https://en.oxforddictionaries.com/definition/verisimilitude

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Since Adam Johnson was a child, he had an insatiable craving for a great story. Whether movies, comic books, TV, he was hooked on the story. An invitation to play Dungeons and Dragons led Adam to write a backstory of one of the characters, and the desire to write fantasy was born. When not writing high fantasy, Adam is restaurant management and a tattoo artist. He also serves as an administrator for the Facebook group, “Writer’s Unite!,” with 41,000 + members from around the world.

Writers Unite!:    https://www.facebook.com/groups/145324212487752/